TUCK, HERNANDEZ, MIROV, MUMOLO

January 28th, 2013

February 3, 2013
at Artist Television Access
992 Valencia Street, SF
event begins at 5pm
reading starts at 5:30pm

ZOE TUCK
Zack Tuck is an enduring identity which is nonetheless being phased out. His slightly altered replacement is being gradually and awkwardly phased in. With Jackqueline Frost, Zoe Tuck curated the Condensery Reading Series. Her work has been featured in Try!, Mondo Bummer, Timeless, Infinite Light, and Troubling the Line: Trans and Genderqueer Poetry (forthcoming from EOAGH and Nightboat). Zoe Tuck is currently working on a poetry manuscript disposition matrix and a novel about the life of René Descartes.

JOHNNY HERNANDEZ
JTH is a graduate of the Mills writing program and is currently on staff at Small Press Distribution. He is currently trying to find a home for his latest manuscript and enthusiastically accepts drinks in lieu of ‘Hello’.

BEN MIROV

Ben Mirov is the author of Hider Roser (Octopus Books, 2012), Ghost Machine (Caketrain, 2010) and the chapbooks Vortexts (SUPERMACHINE, 2011) I is to Vorticism (New Michigan Press, 2010) and Collected Ghost (H_NGM_N, 2010). He grew up in Northern California and lives in Oakland.

SARA MUMOLO

Omnidawn will publish Sara Mumolo’s first collection of poems Mortar in fall of 2013. Sara is the Program Manager for the MFA Program in Creative Writing at Saint Mary’s College of CA. She is the co-editor of the chapbook series, Calaveras. Mumolo curated the Studio One Reading Series in Oakland, CA from 2008-2012. Cannibal Books published her chapbook, March, in 2011, and poems have appeared in journals such as 1913: a journal of forms, Eleven Eleven, Action Yes, Berkeley Poetry Review, The Offending Adam, Real Poetik, The Volta, and West Wind Review, among others.

This event was guest curated by Sara Wintz

Poets Theater 2013 Was Great

January 27th, 2013

Here are some pics from the second night, January 19th, 2013. Both nights were sold out. Delicious and wacky and wild times were had by all!
Click to expand photos.


(All photos by Camille Roy)

Help us help you!

January 11th, 2013

We at Small Press Traffic are proud to be a collaborative extension of our community doing our bit to keep a dynamic literature alive.

You are a vital component to our strength and I hope you will support our upcoming Poets Theater Festival on Jan. 18 and 19, 2013.

Help extend our network by offering organizations an opportunity to support SPT and Poets Theatre with a $50-100 donation.

In gratitude for your generous gift of $50 or $100 we will gladly feature your organization, project, special message for the world, in our performance program, either in a 1/2 or full page.

Email any questions to smallpresstraffic@gmail.com

Thank you for everything you do.

YOU’RE INVITED TO POETS THEATER 13

January 7th, 2013

you will go to poets theater...you will enter the vortex and be amazed...

We are so excited to invite you to the 12th annual Poets Theater festival- this year again at CounterPULSE!

This year’s lineup, scheduled for Friday and Saturday January 18th and 19th, boundary-breaking, genre-bending collaborations between writers, filmmakers, and visual artists will offer serious fun, combining premieres of innovative work by nationally-known writers such as Whiting Fellowship for Poetry winner Will Alexander with abundant humor, a carnival atmosphere, and plenty of audience participation.

Join us Friday January 18th at 7:30pm for:

+Of Our Lives written and directed by Jen Currin

+Teenage Kicks written and directed by Zoe Tuck and Amy Berkowitz

+The Edict of Nancy written by Dorothy Trujillo Lusk and directed by Dillon Westbrook

+A Day at the Races written by Julie Lythcott-Haims and directed by Brandon Jackson

+ Poets Therapy written and directed by Kate Robinson

+Conduction in the Catacombs written by Will Alexander and directed by Sara Larsen

And then come back on Saturday January 19th at 7:30pm for :

+Perscriptive Love written by Stan Apps

+Chorus of Plants written and directed by Mary Burger and Yedda Morrison

+Escape from Century Hills written and directed by Lindsey Boldt and Steve Orth

+In a Word, Faust written by Ish Klein and directed by Kevin Killian

+The Voice Reconfigured as Event as Spacial written and directed by Avra Spector

+Three Standard Stoppages written and directed by Brent Cunningham

TICKETS: $20 online
$25 at the door

To buy tickets in advance visit CounterPulse.

Reading Iduna, Listening Iduna

December 17th, 2012


A totally participatory immersion in reading and listening to this great work of kari edwards.

CALL FOR SUBMISSIONS: Poets Theater 2013!

September 11th, 2012

Hey you out there: It’s Poets Theater Open Call Time!!!!

Poets Theater is an annual festival in which innovative works are performed, enduring avant-garde plays showcased, and the boundaries of theater generally jostled by artists and writers in collaboration to ask questions around and negotiate the possibilities of poetics of and in performance.

This year we are, once again, happy announce two evenings of new plays slated for January 2013. Most importantly, we want you to be involved by contributing a performance to this year’s events.
Contributions could can range from brief play to improvised performance to participatory instructional pieces to cross-genre collaboration – or anything you might discover between or beyond those suggestions.

You’ve got 10 minutes: be astonishing!

We won’t be able to offer payment for your participation, but the experience of the festival affords communion, conversation, sometimes a little collusion and always a lot of fun. We, of course, would love to accept every proposal we receive, but sadly only have room for two nights of performances.

The process goes like this:

1)you send us brief proposal for what you’d like to do following the guidelines below; then

2) we will review the submissions and notify you by November 1st regarding your proposal and next steps including  the deadline for the full text of the play on Devember 1st

SUBMISSION GUIDELINES:
1. All proposals must be submitted by October 15th to smallpresstraffic@gmail.com and must adhere to the full guidelines.

2. Proposals must be no longer than one typed 8.5×11 page of text.

3. Proposals must be for performances that will not exceed 10 minutes in length.

4. Proposals should include the following:
a. a basic idea (with maybe some lines of dialogue);

b. general technical needs for the performance (music, lighting , props etc.);

c. number of performers; and,

d. if you are unable to attend but would like to send in a proposal for others to perform on your behalf, a suggestion for a director/performers.

5. Proposals should reflect the constraint of the performance space, which has a limited area and minimal lighting, and minimal rehearsal access.

We are so excited to collaborate with you! Please feel free to e-mailsmallpresstraffic@gmail.com with questions! We look forward to hearing from you.

The SPT PT 13 Committee
(Samantha Giles, Sara Wintz, Lauren Shufran and Megan Camille Roy)

 

Iduna: an opera in one act

September 11th, 2012

December 16, 2012 at 5pm
at Artist Television Access

iduna: an opera in one act
libretto by kari edwards
arranged and conducted by tom comitta

 

iduna: an opera in one act

libretto by kari edwards arranged and conducted by tom comitta

Cast of Characters:
The Acknowledger (1 person – played by The Biographer) The Epigrapher (1 person)
The Serifed Poets (2 to 55 people)
The Upper, Inverted, Serifed Word-Cranks (2 people)
The Lower, Serifed Word-Cranks (2 people)
The Right and Left-Hand, Serifed Phrase-Cranks (2 people) The Voice of Inverted, Serifed Reason (1 person)
The Watermark Serif (2 or more people)
The Watermark Sans Serif (2 or more people)
The Biographer (1 person – played by The Acknowledger)

Premise:

1. In print, iduna visually activates the page as a stage with multiple dimensions, directions, and intensities of textual, social wreading.

2. On a literal stage, iduna: an opera in one act will attempt to literally interpret each of these elements and activate them off the plane of the page, in physical, social space and time – as dynamic sound.

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Preparation:

Prior to the staging of iduna, tom comitta, with the help of Small Press Traffic, will publicize a public invitation to perform in the opera. A la SPT’s Endless Summer time-slot sign-ups, all will be invited to choose a poem or poems to interpret (this is to fill the parts of The Serifed Poets). Whatever spots remain open will be filled by invitation. Every role apart from The Serifed Poets will be made by invitation. There will be one get-together (not a rehearsal) before the performance to collectively think through the space and the structure of the opera.

The score: -1.

0.
1. Overture:Allsingersreadfromthecoverpageofidunafor40seconds. 2. TheOperainOneAct:asimultaneityofpartsa,b,andc:

a. Readingidunafromfronttoback(inthisorder):

  1. The Acknowledger reads the acknowledgements page.
  2. The Epigrapher reads the epigraphs.
  3. TheSerifedPoetscomeuponeafteranotherandread their chosen texts. Their libretto is the 55 verse-poems included in the collection.
  4. TheBiographerreadskariedwards’biographyafterthe Serifed Poets have finished reading the verse-poems. Once The Biographer has finished, the opera ends.

b. Reading iduna from back to front:

i. TheUpper,Inverted,SerifedWord-Cranksreadtheir word-clusters throughout the duration of the opera. They

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do so on a loop: Once they have read from back to front, they return to where they began and start anew.

  1. TheLower,SerifedWord-Cranksreadtheirword- clusters throughout the duration of the opera. They do so on a loop: Once they have read from back to front, they return to where they began and start anew.
  2. TheRightandLeft-Hand,SerifedPhrase-Cranksread their word-clusters throughout the duration of the opera. They do so on a loop: Once they have read from back to front, they return to where they began and start anew.
  3. TheVoiceofInverted,SerifedReasonreadsitsphrases at any point that it chooses during the opera. The phrase might be read on a loop, but could also be read only once.

c. Reading iduna in no order:

  1. TheWatermarkSerifintuitivelyinterpretsallofthebackground, gray, serifed text in any order.
  2. TheWatermarkSansSerifintuitivelyinterpretsallofthe background, gray, non-serifed text in any order.

 

a reading and conversation with Tim Trace Peterson, j/j hastain and Monica/Nico Peck

September 11th, 2012

December 2, 2012 at 5pm
at Artist Television Access
a reading and conversation with
Tim Trace Peterson, J/J Hastain
and Monica Peck

Tim Trace Peterson is the author of Since I Moved In (Chax Press) andViolet Speech (2nd Avenue Poetry), and is Editor / Publisher of EOAGH(http://eoagh.com). Peterson is also co-editor of the forthcoming booksTroubling the Line: Trans and Genderqueer Poetry and Poetics (Nightboat Books / EOAGH) and Gil Ott: Collected Writings (Chax Press). From 2009-2012, Peterson curated the TENDENCIES: Poetics & Practice talks series on queer writing and the manifesto at CUNY Graduate Center.

j/j hastain is currently in the process of curating an Anthology of Queer Nudes (Knives Spoons and Forks Press) and has helped curate (and participated in) two major Trans anthologies.

j/j is an Elective Affinities participant, a member of Dusie kollektiv  and is a regular contributor to Sous Les Paves. j/j currently writes creative reviews for Big Other, Lit Pub, PANK, Horseless Press and Emprise Review.

j/j’s books have been finalists in the Kelsey Street, Grey Book Press, Grace Notes Books, Switchback, Omnidawn, The Collagist, DIAGRAM and Ahsahta book and essay competitions. j/j’s work has been nominated for the Pushcart Prize and Publishers Triangle. j/j’s manuscriptextant shamanisms won the Pavement Saw poetry award. j/j’s manuscript dear secondary umbilical, won second place in the Mad Hatter’s Wild and Wyrd Poetry Contest. In 2011 j/j’s book we in my Trans was nominated for the Stonewall Book Award and j/j’s book prurient anarchic omnibus was nominated for a Lambda Literary Award. j/j has been a guest lecturer at Naropa University and University of Colorado. j/j is an artist and activist of the audible.

Monica / Nico Peck’s chapbook The Pyrrhaiad, a “Queer Iliad” set in San Francisco, was published this year by Trafficker Press. Peck’s blog queercity.org explores abject lost/found queer archives. Peck lives in San Francisco & teaches at San Jose State. More: mjpeck.wordpress.com

an evening with Alice Notley

September 11th, 2012

December 1, 2012 at 7:30pm
at the Unitarian Center
1187 Franklin (at Geary)

a reading and conversation with
Alice Notley

this event is presented in collaboration with the Poetry Center at SFSU

Alice Notley has published over thirty books of poetry, including (most recently) Culture of One and Songs and Stories of the Ghouls.  With her sons Anselm and Edmund Berrigan, she edited both The Collected Poems of Ted Berrigan and The Selected Poems of Ted Berrigan Notley has received many prizes and awards including the Academy of American Poets’ Lenore Marshall Prize, the Poetry Society of America’s Shelley Award, the Griffin Prize, two NEA Grants, and the Los Angeles Times Book Award for Poetry.  She lives and writes in Paris, France.

 

 

 

 

 

a reading and conversation with kathryn l. pringle, Erin Moure and Andrea Rexilius

August 30th, 2012

You’re invited to wow.

November 11, 2012 at 5pm
at Artist Television Access

a reading and conversation with
kathryn l. pringle, Erin Moure
and Andrea Rexilius

DOORS OPEN AT 5:00PM/EVENT BEGINS AT 5:30pm


kathryn l. pringle is an American poet living in Oakland, Ca. She is the author of fault tree (winner of Omindawn’s 1st/2nd book prize selected by CD Wright), RIGHT NEW BIOLOGY (Heretical Texts/Factory School), The Stills (Duration Press), and Temper and Felicity are lovers.(TAXT). Some of her poems can be found inDenver QuarterlyFence, Phoebehorse less review, and other journals. Her work can also be found in the anthologies Conversations at the Wartime Cafe: A Decade of War (WODV Press), I’ll Drown My Book: Conceptual Writing by Women (Les Figues), and forthcoming in The Sonnets: Rewriting Shakespeare (Nightboat Books). She received an MA and MFA from San Francisco State University.

Restless Montrealer Erín Moure has published seventeen books of poetry plus a volume of essays, My Beloved Wager. She also translates poetry from French, Spanish, Galician (galego), and Portuguese, with twelve books translated of work by poets as diverse as Nicole Brossard, Andrés Ajens, Louise Dupré, Rosalía de Castro, Chus Pato and Fernando Pessoa. Her work has received the Governor General’s Award, the Pat Lowther Memorial Award, the A.M. Klein Prize (twice), and was a three-time finalist for the Griffin Poetry Prize. Her latest works are The Unmemntioable (http://www.houseofanansi.com/The-Unmemntioable-P1719.aspx andhttp://roverarts.com/2012/04/dont-speak/), an investigation into subjectivity and the nature of experience, in western Ukraine and on a South Peace homestead in the north of Alberta, and Secession (Zat-So), her fourth translation of internationally acclaimed Galician poet Chus Pato.

Andrea Rexilius is the author of Half of What They Carried Flew Away (Letter Machine, 2012) and To Be Human Is To Be A Conversation (Rescue Press, 2011).  She currently teaches BA & MFA courses at Naropa University’s Jack Kerouac School of Disembodied Poetics and manages the JKS Summer Writing Program.