Philip Perkins is a sound artist, sound designer, re-recording mixer, and location recording engineer with nearly half a century of experience in all types of music, motion picture, dance, and special venue style sound work. His credits include Hollywood movies, PBS documentaries, music albums and live streams, ballets and other dance works, podcasts, and sound installations. Among his accomplishments are twenty-four seasons and numerous special shows as the sound designer for Alonzo King Lines Ballet; twenty albums of his own music and sound works 1975-present on the Artifact Recordings, Fun Music, Captured Tracks, and ChoonSubCity labels; and five years (1979-84) as a member of The Residents performance ensemble, as well as serving as their cinematographer and lighting designer. He has recorded and mixed over one hundred albums of music of all sorts and sound designed, sound cut, and mixed several hundred films over a long career.
Perkins mastered The Burning by Danishta Rivero and recorded and mixed Entretiempo by La Macacoa and Roco CĂłrdova for The Back Room.
Small Press Traffic is a Bay Area seedbed for poets who push boundaries in the arts. We present programs, publications, and curatorial opportunities with an ethos of radical inclusivity. Committed to this mission since 1974, we highlight diverse, multidisciplinary, and intergenerational practitioners in our public programs, and prioritize equity, accessibility, and collaboration in our working model. SPT also stewards an archive of small press material produced and circulated in the Bay Area over the last half century.
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