Sofía Córdova (b. 1985, Carolina, Puerto Rico) makes work that considers sci-fi as alternative history, dance music's liberatory dimensions, climate change and migration, and most recently, revolution — historical and imagined — within the matrix of class, gender, race, late capitalism and its technologies. She works in performance, video, sound, music, installation, photography, and sometimes taxidermy.
She is one half of the music and experimental sound outfit, XUXA SANTAMARIA.
Her work has been exhibited and performed nationally and internationally at The Whitney Museum of American Art, Tufts University Galleries, the Buffalo Institute for Contemporary Art, SFMOMA, the Arizona State University Museum, the Vincent Price Museum, and the Wattis Institute (USA), the Museo de Arte Contemporaneo (Puerto Rico), Art Hub (Shanghai) and MEWO Kunsthalle (Germany). The same is part of The Whitney Museum of American Art’s and The Kadist’s permanent collections. She has recently participated in residencies at Eyebeam, NY, Headlands Center for the Arts, Mills College Museum, CA, and the ASU Museum, AZ and composed and choreographed performances for the SF Arts Commission, Merce Cunningham Trust and Soundwave Biennial. She is a recipient of a Fundación Ama Amoedo Grant, a Creative Work Fund Grant and is an 2023 Artadia Awardee. She recently won a Creative Capital Award.
Small Press Traffic is a Bay Area seedbed for poets who push boundaries in the arts. We present programs, publications, and curatorial opportunities with an ethos of radical inclusivity. Committed to this mission since 1974, we highlight diverse, multidisciplinary, and intergenerational practitioners in our public programs, and prioritize equity, accessibility, and collaboration in our working model. SPT also stewards an archive of small press material produced and circulated in the Bay Area over the last half century.
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