Artist Television Access/992 Valencia Street, San Francisco
doors open at 5pm/event begins at 5:30pm
co-presented by Mills College
Join us for an info-share with poets in, from, and moving between Vancouver, Chicago, New York, and London. How are other scenes, institutions, editors and curators responding to rape and sexual violence in writing communities? Amy De’Ath, Jennifer Tamayo, and Cassandra Troyan will share their experiences organizing meetings, potlucks and online interventions, in a discussion of the dynamics, difficulties and benefits of their respective locations, action taken and not taken. What does feminist solidarity look like? What might it look like? How can we take better care of one another? What kind of socialities and spaces do we want to create?
Amy De’Ath’s poetry books include Lower Parallel, Caribou, and Erec & Enide. With Fred Wah, she is the editor of a collection of poetry and poetitcs, Toward. Some. Air. Her critical writing has appeared or is forthcoming in AnguishLanguage, After Objectivism: Reconfiguring 21st Century Poetry & Poetics, and Cambridge Literary Review. For several years she worked in London, UK and in 2011 was Poet in Residence at the University of Surrey. She is now a PhD student at Simon Fraser University and works on the poetics journal Line. She lives in Vancouver, on unceded Coast Salish Territories.
Jennifer BAAAARRRRFFFF Tamayo is a writer and performer. She is the author of the collection of poems and art work, Red Missed Aches Read Missed Aches Red Mistakes Read Mistakes (Switchback, 2011) and the limited edition chapbook POEMS ARE THE ONLY REAL BODIES (Bloof Books, 2013). Her second full collection of poems and artwork, YOU DA ONE, was published in the fall of 2014. Since 2010, JT has served as the Managing Editor for Futurepoem an independent NYC press publishing contemporary poetry and prose. She received her Bachelor of Arts from the University of Chicago and her Master of Fine Arts in Creative Writing from Louisiana State University. She lives and works in New York City.
Cassandra Troyan is a writer, organizer, ex-artist, and former college employee. They are the author of THRONE OF BLOOD, BLACKEN ME BLACKEN ME GROWLED and KILL MANUAL. Their writing has appeared or is forthcoming in Shifter Magazine, The Chicago Review, Elderly, ANCIENTS, and BOMB Magazine. Since 2010 they have curated the reading and performance seriesARTIFICIAL EAR with numerous friends and collaborators. They received their MFA in Visual Art from the University of Chicago and work with sex workers, prisoners and radical feminists in Chicago, IL where they currently live.